There is a lack of public initiative, a country that has a large chunk of the world’s artistic heritage cannot reduce management costs, in the long run it is a suicidal choice. Not investing in one of the country’s main resources does not create the opportunity to make these resources more useful and leaves it in an absurd situation in some ways. The costs of heritage preservation are public but all that can be given of the profits is given to private individuals, in this situation of little public intervention a vicious circle is set in motion that leads nowhere.
One of the fundamental things about teaching is the ability to pass on what you have learned; play-force you have to be lucky to have had a great teacher/great
Stradedarts was born spontaneously out of our passion, first, for Graffiti Writing and then for Street Art. We are based in Milan’s zone 6, where we took our first steps, breathing new life into abandoned walls and actually giving them back to the community. Our value has always been this, beauty, seen through these cultures and languages, which have been able to transform “non-places” into true open-air museums. We tried to give something back to our territory, to the place where we were born and where we still love to work.
Certainly an initial result was to help more than 2.000 bright young people to present ethical business ideas, several of which have then seen practical implementation, then like any sowing, you have to wait for the harvest; 5 better 10 years have to pass to see if the sowing has been successful, that is, the time it takes for almost 100 of our brilliant winners to establish themselves and become decision makers: in fact, today we can see how winners of the first editions behave ethically when the situation arises, famous example and Cristian Fracassi with a respirator mask during the pandemic, but also others less known.